The first day it feels like fall
I want to tell my secrets
recklessly until there is nothing
you don’t know that would make
your heart change years from now.
How foolish we are to believe
we might outlive this distance.
I don’t know names for things
in the prairie, where the expanse
of light and the hissing of tall stalks
make me move slowly,
like in another country before
I must share it with anyone.
In what do you believe?
In September’s slight motion
of particulars, in the weight of birds,
in lust, propulsion, maps
that lie. You should not have loved
me. Now: goldenrod, prairie-clover,
the ovate-leafed bluebell with its open
throat saying how did you expect
to feel? Colonies of prairie-smoke
and pods turning golden and papery,
the grassy plains iterating patience,
and things I cannot name.
Begin with apples reddening.
Begin with a woman touching
the cities in your feet. Hartford,
Anchorage, the Bronx. Did you ever
see yourself as more
than yourself? I walk into a part
of afternoon that deepens
inventing an endpoint
for sadness. Everyone is gone.
On the subject of deception,
where do you stand? There’s a chill
in the air and the flowers know,
the goddamned flowers, their loosed
color. Sometimes we are cruel
and we mean it. We author the house
with its threadbare linens, the false
miniatures of people saying look at me.
Will the landscape forgive you?
Is it yours to describe? What
is the sound inside your mouth?
I’m surrounded by grasslands
in every direction. The sound
is a clamoring, because desire
is never singular and we want it
this way. We want it easy.
I have already let go
of summer. Here, the wind—
dispersal of seeds and story. Love,
there are things I cannot name.
— stacie cassarino
Bastille - “(I Just) Died In Your Arms”
I just died in your arms tonight, it must have been something you said.
I told you once when we were young that
we would someday meet again.
Now, the years flown past, the letters
unwritten, I am not so certain.
It is autumn. There are toothaches hidden
in this wind, there are those determined
to bring forth winter at any cost.
I am resigned to dark blonde shadows
at stoplights, lost in the roadmaps of leaves
which point in every direction at once.
But I am wearing the shirt you stitched
two separate lifetimes ago. It is old
and falling to ash, yet every button blooms
the flowers of your design. I think of this
and I am happy, to have kissed
your mouth with the force of language,
to have spoken your name at all.
— Greg Watson
do yourself a favor and listen to this
i am so into this
The wind is level now, the earth is wet with dew,
the storm of stars in the sky will turn to quiet.
And soon all of us will sleep under the earth, we
who never let each other sleep above it.
—Marina Tsvetaeva, from “I know the truth” (translated by Elaine Feinstein)
Words for Love
Winter crisp and the brittleness of snow
as like make me tired as not. I go my
myriad ways blundering, bombastic, dragged
by a self that can never be still, pushed
by my surging blood, my reasoning mind.
I am in love with poetry. Every way I turn
this, my weakness, smites me. A glass
of chocolate milk, head of lettuce, dark-
ness of clouds at one o’clock obsess me.
I weep for all of these or laugh.
By day I sleep, an obscurantist, lost
in dreams of lists, compiled by my self
for reassurance. Jackson Pollock RenÈ
Rilke Benedict Arnold I watch
my psyche, smile, dream wet dreams, and sigh.
At night, awake, high on poems, or pills
or simple awe that loveliness exists, my lists
flow differently. Of words bright red
and black, and blue. Bosky. Oubliette. Dis-
severed. And O, alas
Time disturbs me. Always minute detail
fills me up. It is 12:10 in New York. In Houston
it is 2 pm. It is time to steal books. It’s
time to go mad. It is the day of the apocalpyse
the year of parrot fever! What am I saying?
Only this. My poems do contain
wilde beestes. I write for my Lady
of the Lake. My god is immense, and lonely
but uncowed. I trust my sanity, and I am proud. If
I sometimes grow weary, and seem still, nevertheless
my heart still loves, will break.
MORE LIKE THIS:
A Certain Slant of Sunlight, Ted Berrigan
Red Shift, Ted Berrigan
One year ago: At the Trial of Hamlet, Chicago, 1994, Sherman Alexie
Two years ago: The Waking, Theodore Roethke
I am in love with poetry. Every way I turn
this, my weakness, smites me.
The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs.
It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands, like ticket stubs or change.
But happiness floats.
It doesn’t need you to hold it down.
It doesn’t need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records…..
Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.
— Naomi Shihab Nye
A boy sprawled next to me on the bus, elbows out, knee pointing sharp into my thigh.
He frowned at me when I uncrossed my legs, unfolded my hands
and splayed out like boys are taught to: all big, loose limbs.
I made sure to jab him in the side with my pretty little sharp purse.
At first he opened his mouth like I expected him to, but instead of speaking up he sat there, quiet, and took it for the whole bus ride.
Like a girl.
Once, a boy said my anger was cute, and he laughed,
and I remember thinking that I should sit there and take it,
because it isn’t ladylike to cause a scene and girls aren’t supposed to raise their voices.
But then he laughed again and all I saw
was my pretty little sharp nails digging into his cheek
before drawing back and making a horribly unladylike fist.
(my teacher informed me later that there is no ladylike way of making a fist.)
When we were both in the principal’s office twenty minutes later
him with a bloody mouth and cheek, me with skinned knuckles,
I tried to explain in words that I didn’t have yet
that I was tired of having my emotions not taken seriously
just because I’m a girl.
Girls are taught: be small, so boys can be big.
Don’t take up any more space than absolutely necessary.
Be small and smooth with soft edges
and hold in the howling when they touch you and it hurts:
the sandpaper scrape of their body hair that we would be shamed for having,
the greedy hands that press too hard and too often take without asking permission.
Girls are taught: be quiet and unimposing and oh so small
when they heckle you with their big voices from the window of a car,
because it’s rude to scream curse words back at them, and they’d just laugh anyway.
We’re taught to pin on smiles for the boys who jeer at us on the street
who see us as convenient bodies instead of people.
Girls are taught: hush, be hairless and small and soft,
so we sit there and take it and hold in the howling,
pretend to be obedient lapdogs instead of the wolves we are.
We pin pretty little sharp smiles on our faces instead of opening our mouths,
because if we do we get accused of silly women emotions
blowing everything out of proportion with our PMS, we get
condescending pet names and not-so-discreet eyerolls.
Once, I got told I punched like a girl.
I told him, Good. I hope my pretty little sharp rings leave scars.
W: I just wanted to say; it was worth getting taped to a pole. Gonna miss you.
V: And my stupid-ass face?